François-Xavier Mercier (Tenor) (Québec, Canada 1867 - Québec, Canada 1932)

He sang in Quebec City from his early childhood, especially at the Church of the Congregation of Notre-Dame (now Jacques-Cartier). He performed as a soloist in the hall of the Académie commerciale and thus came to the notice of the school's director, who accepted him as a non-paying student at the institution and in 1891 found a position for him as bookkeeping teacher at the Collège Mont-St-Louis, Montreal. Mercier lived 1892-4 in Toronto, where he studied elocution with J. H. Cameron and solfège with Adèle Lemaître. In Boston he performed the role of the Duke inRigoletto at Castle Square but soon returned to Toronto to open a voice studio. y means of a subscription and the proceeds of some concerts given at Massey Hall, Mercier went to Paris and studied voice for five years with Jacques Bouhy and solfège and stage techniques with T. Valdejo. In January 1899 he was chosen from among 18 tenors to sing at the Opéra-Comique; he made his debut in Méhul's ''Joseph''. Le Gauloiscommented: 'Mercier's tone was superb. A powerful voice, perfect diction, expressive features; he is actor and singer rolled into one.' Later he sang in ''Carmen'', ''Mireille'', and ''Manon''. In 1901 Mercier performed in ''Faust'', ''Les Huguenots'', ''Carmen'', ''Roméo et Juliette'', and ''Le Roi d'Ys'' at Covent Garden, London, in casts which included Calvé, Journet, Melba, Plançon, Scotti, and Tamagno. He returned to Paris to learn the role of Arnold in ''William Tell'', which he later sang in Bordeaux and in Rouen, where according to Le Nouvelliste, he received seven curtain calls for his performance of the aria 'Asile héréditaire.' After singing in Faust, L'Africaine, Les Huguenots, Sigurd, and La Juive on tour in France, he visited Italy and Switzerland. He repeated his roles in ''Les Huguenots'' at The Hague and ''William Tell'' at Spa with Noté. In December 1906, while preparing for a season at the theatre in Lyons, he had to return to Quebec City because of his mother's death. In 1907 he sang in Toronto and inQuebec City, and that November he left once again for Paris. Mercier spent the 1908-19099 season in Constantine (Algeria), where he triumphed in ''Les Hugenots'', and then in ''Werther'', ''Carmen'', ''La Navarraise'', ''I Pagliacci'', ''Marie-Magdeleine'', ''Sigurd'', and ''Hérodiade''. In Algiersand Oran, he sang ''William Tell'' and ''La Juive''. His next undertaking was to participate in 22 opera and oratorio concerts at Queen's Hall, London, under Sir Henry Wood. After another tour of Franceand Algeria, he returned to Quebec City in August 1913 with his wife, the singer Isabelle de Besson (Mlle Jeynevald), whom he had met in Constantine and married in Lyons in 1909. In 1914 Mercier founded the Institut d'art vocal. He taught there until his death. In 1931 he was named honorary president of the newly founded Association des chanteurs de Québec. He wrote a series of articles, 'Classement et pose de la voix,' which appeared in La Musique in 1919, and in 1923 he published Souvenirs de ma carrière artistique, reprinted under the title 'Gerbe de souvenirs' in his study Technique de musique vocale (Quebec City 1928). He composed numerous songs, including 'Ce que je chante,' Opus 65, which was published in 1918, and 'France et Canada,' Opus 106, published in 1929. A number of his works are held at the ANQ in Quebec.

Chronology of some appearances

1899 Paris Opéra-Comique 

1901 London Covent Garden

RECORDINGS FOR SALE

Colombia, New York 1915

Les Huguenots (Meyerbeer): L'entrée de Raoul E2376 45649

Chanson de l'adieu (Tosti)  E2377 45659

France  E2380 45652

La Huronne E2377

Marie Magdeleine (Massenet): Heureux ceux qui vivront E2375

Mireille (Gounod): La foi de son flambeau divin with Isa Jeynevald  E2375

Musette du XVIIe siècle E2378 45658

Ô Canada, mon pays, mes amours! E2378

Tosca (Puccini): Oh! de beautés égales

Zingarella  E2380 45656