Greatest Opera Singers

Greatest Opera Singers

Sunday, March 1, 2015

Arvid Ödmann (Tenor) (Karlsbad 1850 - Stockholm 1914)



                                                              Fra Diavolo

                                                                  Faust

He made his debut (1873) as Tamino in ‘’Die Zauberflöte’’ in Stockholm. In 1875 he had the opportunity to study with Massenet in Paris, which greatly enhanced his skills in the French repertory. In 1887 he was engaged for the Copenhagen Opera but soon returned to the Royal Opera House in Stockholm where he remained to the end of his career (1911).

Chronology of some appearances

1873 Stockholm Royal Opera
1887-1889 Copenhagen Opera
1890-1911 Stockholm Royal Opera

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Favorite
La Favorita (Donizetti): Blott i en dröm (Spirito gentil)

Cylinder
Cavalleria Rusticana (Mascagni): O Lola

M. Magdeleine (Tenor)

He appeared at the Opéra de Nice

Chronology of appearance

Opéra de Nice

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Disque Saphir
Mignon (Thomas): Elle ne croyait pas 753 560

David Stockman (Tenor) (Göteborg 1879 - Stockholm 1951)



He studied in Breslau, making his début in 1906 as Wilhelm Meister (‘’Mignon’’) at the Royal Opera, Stockholm, where he was engaged until 1942. He was the first Swedish Chénier, Mârouf, Hermann (‘’The Queen of Spades’’) and Gennaro (‘’I gioielli della Madonna’’); he also sang Romeo, Raoul (‘’Les Huguenots’’). He created in 1909 for Sweden the part of the Tristan in R. Wagner's ''Tristan und Isolde''. In 1918 he received the order 'Litteris et artibus', in 1929 he became a Swedish court singer.

Chronology of some appearances

1906-1942 Stockholm Royal Opera

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G&T, Stockholm 1907-10
Si j'étais roi (Adam): Hennes namn och börd (J'ignore son nom)  082019 2141f

Abele De Angelis (Tenor) (1893 - 1958)



In 1920's he appeared Buenos Aires  (Teatro Colon/ Teatro Coliseo).

Chronology of some appearances

1921 Buenos Ayres  Teatro Coliseo Loreley (Waler)
1921 Buenos Ayres  Teatro Marconi Loreley (Waler)
1922 Buenos Ayres  Teatro Coliseo Loreley (Waler)
1927 Buenos Ayres  Teatro Coliseo Loreley (Waler)

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Odeon?
Manon (Massenet): Il sogno
Cavalleria (Rusticana): O Lola
Pagliacci (Leoncavallo): O Colombina
Mefistofele (Boito): Giunto sul paaso estremo
Princesita

Aldo Sinnone (Tenor) (Alessandria, Egypt 1904 - Milano 1947)




Chronology of some appearances

1935 Amsterdam Theater Carré Traviata (Alfredo)
1935 Amsterdam Theater Carré Lucia di Lammermoor (Edgardo)
1935 Amsterdam Theater Carré Rigoletto (Duca)
1935 Amsterdam Theater Carré Traviata Boheme (Rodolfo)
1935 Amsterdam, Stadsschouwburg Tosca (Cavaradossi)
1935 's Gravenhage, Gebouw voor Kunsten en Wetenschappen Faust (Faust)
1936 Milano Teatro Alla Scala
1940 Milano Teatro Alla Scala
1946 Zürich Opera
1947 Milano Teatro Alla Scala

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HMV?
La Leggenda Del Pastore (Bianca)
Werther (Massenet): Ah! non mi ridestar
Primavera nostalgica

Barton McGuckin (Tenor) (Dublin, Ireland 1852 - Stoke Poges, England 1913)




He began as a choirboy in Armagh Cathedral where he studied singing, organ, violin and the piano. In 1871 he became the first tenor at St. Patrick’s Catherdral in Dublin where he was a pupil of Sir Joseph Robinson. He appeared in the Crystal Palace concerts in 1875 and went to Milan to study with Trevulsi. In 1880 he bagan with the Carla Rosa Opera Company and remained with them at Theatre Royal, Drury Lane until 1887. He achieved great success both at singing and acting and created several important roles in A. Goring Thomas’s ''Esmeralda'', Alexandra McKenzie’s ''Colomba'' and Massenet’s ''Manon''. He began a 2-year tour of the USA in 1887. At the end of 1888 Barton returned to London to perform in Hubert Parry’s oratorio Judith. In 1892 he was called to perform in ''Damnation of Faust'' by H. Berlioz, when the Halle Orchestra gave two concert performances in London. He then went on to take the title role in Arthur Sullivan’s ''Ivanhoe''. McGuckin’s other principal roles were in ''Lohengrin'', in ''Faust'' (Gounod), as Don José (Carmen) and Eleazar in Halévy’s ''La Juive''. McGuckin continued to sing into the early 20th century, and made several recordings. He sang at the Philharmonic and Monday Popular Concerts, and at provincial festivals. In 1905 he became director of an amateur operatic society inDublin, and was conductor of orchestral concerts at the Irish Exhibition of 1908.

Chronology of some appearances

1883-1887 London Drury Lane

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Zonophone, London 1905-02-25
Avenging and bright (Moore) X-42279

Antonis Delendas (Tenor) (Istanbul 1906 – Athens 1966)



He was born in Istanbul and studied at the Athens Conservatory violin. Later he was taught singing by Kosti Nicholas.

Chronology of some appearances

1942 Royal Theatre, Athens Tosca (Cavaradossi)
1944 Athens Olympic Theatre Tiefland  (Pedro)
1945 Athens National Theatre Tiefland  (Pedro)
1944 Athens Theatre Herodes Fidelio (-)   
1944 Athens Olympic Theatre Cavalleria Rusticana (Turiddu)

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Pathé, Aten 1927?
Cavalleria Rusticana (Mascagni): Siciliana 80103
Tosca (Puccini): E lucevan le stelle 80104
Turandot (Puccini): Nessun dorma

Pathé, 1931 
Rigoletto (Verdi): Bella figlia dell’amore with Yiannis Angelopoulos, Vako Anglou and Clio Karantinou 80135  70332

Arthur Darmel (Tenor) (Bouverie, Belgium 1879 - ? 1944)


                                                              Florestan

                                                                  Faust

He studied singing the Royal Conservatory of Brussels and made his debut as baritone at theThéâtre de la Monnaie in Brussels.

Chronology of some appearances

Baritone
1903-1907 Brussels Théâtre de la Monnaie 
Tenor
1911-1914 Brussels Théâtre de la Monnaie 
1915-1917 Paris Opéra-Comique
1914-1920 Paris Grand Opéra

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Odéon, Paris 1914 ?
Sigurd (Reyer): Esprits Gardiens 111869  
Hérodiade (Massenet): Air de Jean 111870  xp6935
Samson et Dalila (Saint-Saëns): La meule 111871  
Samson et Dalila (Saint-Saëns): Duo with Bardot  111873  xp 64010
La fille du far west (Puccini): Elle me croit  111874
Les Huguenots (Meyerbeer): Plus Blanche 111875  

Bohumil Pták (Tenor) (Prague, Czech Republic 1869 – Prague, Czech Republic 1933)



                                   as Prince in ''Rusalka'' opposite Marie Kubátová (1901)


He began his career as an actor with different traveling troops. He was among other things a pupil of F. Pivoda. He made his debut in 1890 at the Opernhaus in Brno (Brünn) as Hans in B. Smetana’s "Verkaufter Braut" and appeared till 1896 in this opera house. The same year he made his debut in ‘’Dalibor’’ at the National Theatre in Prague. Here he soon had a great success and appeared as Roméo in ‘’Roméo et Juliette’’, Radames in ‘’Aida’’, Cavaradossi in ‘’Tosca’’ and Eleazar in ‘’La Juive’’. He sang at the National Opera in Prague in an important premieres of Czech operas of his epoch: on 23. 11. 1899 he took part there in the premiere of the " Čert a Káča" by A. Dvořák, on 31. 3. 1901 sang the role of Prince in the premiere of A. Dvořák’s opera ‘’Rusalka’’ and on 25. 3. 1904 appeared in the premiere of A. Dvořák’s opera ‘’Armida’’. In the 1912-1914 seasons he was active in North America, then came back to Prague. He spent the last ten years of his life completely secludedly.

Chronology of some appearances

1890-1896 Brno Opernhaus Verkaufter Braut
1896 Prague National Theatre Dalibor
1899 Prague National Theatre  Čert a Káča
1901 Prague National Theatre Rusalka
1904 Prague National Theatre Armida

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Pathé ?
Dalibor (Smetana): Když Zdenek můj
Rusalka (Dvořák ): Vím, že jsi kouzlo, které mine
Odeon
Muziky, muziky 8742
Kovarovic Andula 18050
Kdyz jsem ja ty kone pasal 18051

Edouard Kriff (Tenor) (Algiers 1905 - Paris 1966)



                                                                 Samson

He studied singing under Marguerite Carrere and made his debut in 1936.

Chronology of some appearances

1938 Paris Grand Opéra
1944-1956 Paris Grand Opéra

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Private Record
Sigurd (Reyer): Le bruit des chants s’éteint dans la forêt immense

Emil Borgmann (Tenor) (Dortmund 1874 - ?)




He studied singing at the Konservatorium in Weimar and made his debut in 1896 at the Hofoper inVienna. In  the 1897-1898 he was engaged by the Stadttheater in Lübeck, from 1898 to 1900 he appeared at the Theater des Westens in Berlin, in  the 1900-1903 seasons he sang at theStadtthater in Hamburg. Here he appeared among other things in 1903 in the premiere of ‘’Der zerbrochene Krug’’ by Josef Jarno. Then  in the 1908-1911 seasons he appeared at the Theater inGraz, in  the 1912-1913 season at the Kurfürstenoper in Berlin and from 1913 to 1915 at theHoftheater in Dessau. In 1906 and 1908 he made guest appearances among other things as Walther von Stolzing in ‘’Die meistersinger von Nürnberg’’at the Hofoper in Vienna. At the Bayreuth Festival of 1902 he sang the role of Erik in ‘’Fliegenden Holländer’’, which counted his special star role. During the First World War he was to be heard a tenor in Berlin. During the 1920’s he appeared in Rhineland. His repertoire included Lohengrin, Walther von Stolzing, Florestan in ‘’Fidelio’’, Raoul in ‘’ Les Huguenots’’, Jean in ‘’Le Prophet’’, Turiddu in ‘’Cavalleria Rusticana’’, Canio in ‘’Pagliacci’’ and Hüon in ‘’Oberon’’. 

Chronology of some appearances

1896 Vienna Hofoper
1897-1898 Lübeck Stadttheater
1898-1900 Berlin Theater des Westens
1900-1903 Hamburg Stadtthater
1908-1911 Graz Theater
1912-1913 Berlin Kurfürstenoper
1913-1915 Dessau Hoftheater

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Beka-Idéal 1904
Der fliegende Holländer (Wagner): Willst jenes Tags 7282

Alfredo Poggianti (Tenor)

Probably he made his debut in 1916 at the Teatro Coccia in Novara in A. Catalanis’ ‘’Edmea’’.

Chronology of some appearances

1916 Novara Teatro Coccia Edmea di A. Catalani
1917 Bologna  Teatro Duse Madama Butterfly (Pinkerton)
1919 Bologna  Teatro Apollo Faust (Faust)
1926 Lucca Teatro Del Giglio Nora di G.Luporini (Ugo)
1938 Bari Teatro Petruzzelli Ginevra Degli Almieri di M.Peragallo (Cantastorie)
1940 Bari Teatro Petruzzelli Pagliacci (Peppe)
1942 Prato Teatro Metastasio Tosca (Spoletta)
1945 Bari Teatro Piccinni Otello (Cassio)
1947 Reggio Emilia Teatro Municipale Traviata (Gastone)
1948 Parma Teatro Regio I Maestri Cantori Di Norimberga (Vogelgesang)

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Gramophone
La Casa Innamorata: Bambina, bambina with Machnig R 10338 100-794