His voice was trained
by the famous Felix von Kraus in Munich. The artist was then able to
distinguish himself as a concert and oratorio singer, devoting himself
particularly to the interpretation of early music and the compositions of the
Baroque era. The taste of his presentation, the delicacy of the text handling
and the nuanced beauty of the voice were emphasized in his performances in his
Swiss homeland as well as in Germany, Austria, France and other countries. He
made great contributions as a co-founder of the Schola Cantorum Basiliensis in
1933, with which he undertook extensive concert tours. Appreciated as a Bach
and Handel interpreter, at the same time an important educational activity. In
1955 he founded the Collegium Cantorum Turicense, which, under his leadership,
advocated the music of Monteverdi and Heinrich Schütz on an international
level. He was considered a specialist in medieval vocal music, works by the Ars
nova, the troubadours, trouvères and the minstrels. As an opera singer he only appeared
occasionally. In 1936 and 1937 he appeared as a concert singer at the Salzburg
Festival, from 1932 to 1937 he made a guest appearance in Berlin, and in 1947
at the Openhaus in Zurich. On May 17, 1931 he took part in the world premiere
of the opera "Die Mutter" by A. Hába at the Gärtnerplatztheater in
Munich.
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