As a child she came to Berlin, where she
studied singing under the pedagogue Emmy
Raabe-Burg.
She made her debut at the Hofoper in Berlin (1913-1914). There she
sang among other things the part of Tebaldo in G. Verdi's ''Don Carlo''
and participated
in the Berlin première of ''Parsifal'' (1914). In the 1914-1919 seasons
she
appeared at the Nationaltheater in Mannheim (among other things in 1917
the
title role in the premiere of ''Sharazade'' by Bernhard Sekles). In the
1919-1921
seasons she was a soloist of the Staatsoper in Stuttgart. In the
1922-1926 seasons she was
engaged by the Berlin Staatsoper. In 1927 she joined to the ensemble of
Metropolitan Opera in New York (debut: Witch in ''Hansel und Gretel'' of
Humperdinck). She appeared at the Metropolitan Opera from 1927 to 1941.
Here her repertoire included Elsa in ''Lohengrin'', Venus in
''Tannhäuser’', Ortrud in ''Lohengrin'',
Gutrune in "Götterdämmerung", Chrysothemis in ''Elektra'' of R. Strauss,
Herodias in ''Salome'', Giulietta in ''Les contes d'Hoffmann'' and as
Marianne
Leitmetzerin in "Rosenkavalier". In 1933 she substituted Frida Leider
as Brünnhilde in "Walküre". Nevertheless, her star role remained the
witch in ''Hansel und Gretel''. In 1930, 1935 and 1936 she performed at
the San
Francisco Opera, in 1938 at the Chicago Opera. In the 1933-1934 season, during the Salzburg festival, she sang
the part of Isolde in R. Wagner's ''Tristan und Isolde'' under
Bruno Walter. In 1934 she
appeared as a guest at the Staatsoper in Wien. In 1942 she became a
professor of the Indiana University in Bloomington, where she also had
her residence. The
soprano Felicia Weathers belonged to her pupils. She was married the
Swedish
music critic Walter Brandon. Her daughter Inge Manski also became a successful singer.
Chronology of some appearances
1913 Berlin Hofoper Don Carlo (Tebaldo)
1914 Berlin Hofoper Parsifal (1. Knappen)
1917 Mannheim Nationaltheater Scheherazade (Scheherazade)
1927 New York Metropolitan Opera House Hänsel und Gretel (witch Marzipan)
1927 New York Metropolitan Opera House Hänsel und Gretel (witch Marzipan)
1927 Philadelphia Academy of Music Hänsel und Gretel (witch Marzipan)
1931 New York Metropolitan Opera Boccaccio (Isabella)
1931 Philadelphia Academy of Music Boccaccio (Isabella)
1931 New York Academy of Music Boccaccio (Isabella)
1932 New York Metropolitan Opera Il signor Bruschino ossia Il figlio per azzardo (Aufseherin)
1932 New York Metropolitan Opera Donna Juanita (Donna Olimpia)
1932 Philadelphia Opera House Donna Juanita (Donna Olimpia)
1932 Philadelphia Academy of Music Hänsel und Gretel (witch Marzipan)
1932 New York Academy of Music Donna Juanita (Donna Olimpia)
1933 Salzburg festival Tristan und Isolde (Isolde)
1934 Salzburg festival Tristan und Isolde (Isolde)
1938 New York Metropolitan Opera House Amelia goes to the Ball (housekeeper-overseer)
1938 Philadelphia Academy of Music Der Rosenkavalier (Marianne)
1949 New York Metropolitan Opera Faust (Siebel)
RECORDINGS FOR SALE
Gramophone, Berlin 1913-02-28
Undine (Lortzing): Nun ist's vollbracht with Koerfer & chorus 044232 326al
Undine (Lortzing): Schwanensang with Koerfer & chorus 044233 327al
Vox, Berlin 1921/1922
Fliegende Holländer (Wagner): Traft ihr das Schiff (Senta-Ballade) 2009 379B
Mignon (Thomas): Kennst du das Land 2009 380B
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ReplyDeleteDear Sir/Ma,
We offer certified and verifiable financial bank instruments via Swift Transmission from a genuine provider capable
of taking up time bound transactions.
FOR LEASING OF BG/SBLC
MINIMUM FACE VALUE OF BG/SBLC = EUR/USD 1M
LEASING FEE = 4%+2%
FOR PURCHASE OF FRESH CUT BG/SBLC
PRICE = 32%+2%
MINIMUM FACE VALUE OF BG/SBLC = EUR/USD 1M
Our BG/SBLC Financing can help you get your project funded,
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