Don Jose in ''Carmen''
He made his debut in 1904 at Theatre Montparnasse as Gerald in ''Lakme'', but the main part of his career was devoted at the Opera Comique, where he sang Almaviva, Don Jose, Armand in Massenet's Therese, Alfredo, Jean in Massenet's ''Sapho'', Clement in Messager's ''La Basoche'', Vincent in ''Mireille'', Wilhelm in ''Mignon'', Des Grieux, Werther, Julien, Pinkerton, Cavaradossi and other roles. In 1909 he took part in the revival of Boieldieu's ''La Dame Blanche'' and he remained a paradigmatic Georges Brown. In the same 1909 he went to New York , invited by Oscar Hammerstein, to sing at the Manhattan Theatre, where he sang different roles: Ange Pitou in Lecoq's ''La Fille de Madamme Angot'', Sylvan in Maillart's ''Les Dragons de Villars''. More important, during this time he sang for the first time in his career the role of Pelleas in Debussy's masterwork. Still in America , with Mary Garder he sang Araquil in ''La Navarraise'' and Alain in ''Griselide''. As a curious fact, Garden had appropiate the title role in Massenet's ''Le Jongleur de Notre Dame'', originally composed for a tenor. But when she was off travelling, Devries also sung this role, so the local audiences had the chance to listen to the part in both versions, soprano and tenor. Later he sang Pelleas at Covent Garden , Nicias (from Thais) in Montecarlo. And in Nice he created Paco in the world premiere of Falla's ''La Vida Breve''. e sang also as soloist in recitals and concerts, singing in St. Mattew Passion as well as in Berlioz's ''La Damnation de Faust''.
1909-1910 Manhattan Opera House
RECORDINGS FOR SALE
Pathe, Paris 1907
Bonsoir, Mme la lune (Maunier) 4670
Victor, 1910-04-04
Fille de Madame Angot (Lecocq): Voyons, Monsieur, raisson nous politique w. Gabrielle Lejeune 70025
Le Roi d'Ys (Lalo): Vainement ma bien aimee 70021
Pathé, Paris 1910/1911Tannhäuser (Wagner): Choeur des pèlerins with Belhomme, Dangès and Nansen 0775
Odeon, Paris 1927-01/02
Manon (Massenet): Instant charmant... En fermant les yeux 188.505 Ki 1079-2
Odeon, Paris 1927-04 (end)
Griselidis (Massenet): Je suis l’oiseau 188.523 Ki 1199-1
Barbiere di Siviglia (Rossini): Des rayons de l’aurore 188.524 Ki 1200-2
Barbiere di Siviglia (Rossini): Des rayons de l’aurore 188.524 Ki 1200-2
Odeon, Paris 1927-05
Griselidis (Massenet): Ouvrez-vous sur mon front 188.523 Ki 1216-2
Odeon, Paris 1928-04-26
La Dame Blanche (Boilldieu): O moment plein de charmes 123.548 XXP 6659-2
Jocelyn: Caches dans cet asile... Oh ne t’eveille pas encore 166.257 Ki 3739-2
La Dame Blanche (Boildieu): Viens gentille dame 188.795 Ki 3988-1
La Dame Blanche (Boildieu): Viens gentille dame 188.795 Ki 3988-1
Odeon, Paris 1928-05-23
Les roses d’Ispahan, Op.39 No.4 (de Lisle - Faure) 123.553 XXP 6673-2
Odeon, Paris 1928-07-05
Les anes du Caire (Sylvestre - Emile Nerini) (A minor) 188.596 Ki 1763
Odeon, Paris 1930-09-16
Rigoletto (Verdi): Comme la plume au vent 188.751 Ki 3611-2
Lakme (Delibes): Fantaisie aux divin mensonge 123.715 XXP 7125
Odeon, Paris 1930-10-20
Werther (Massenet): Pourquoi me reveiller 188.770 Ki 3717-3
Werther (Massenet): Alors c’est bien ici... O Nature pleine de gràce 123.715 XXP 7132
Werther (Massenet): Un autre est son epoux… J’aurais sur ma poitrine 188.770 Ki 3721
Werther (Massenet): Alors c’est bien ici... O Nature pleine de gràce 123.715 XXP 7132
Werther (Massenet): Un autre est son epoux… J’aurais sur ma poitrine 188.770 Ki 3721
Odeon, Paris 1930-10-27
Tosca (Puccini): Le ciel luisait d’etoiles 188.774 Ki 3735 -1
Paganini (Lehar): J’ai toujours cru qu’un baiser 123.729 XXP 7154
Les Pecheurs de Perles (Bizet): Je crois entendre encore 123.729 XXP 7155-1
Paganini (Lehar): J’ai toujours cru qu’un baiser 123.729 XXP 7154
Les Pecheurs de Perles (Bizet): Je crois entendre encore 123.729 XXP 7155-1
Odeon, Paris 1930-11-25
Chanson du pecheur, Op.4 No.1 (Gautier - Faue) 188.792 Ki 3889-2
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