Greatest Opera Singers

Greatest Opera Singers

Tuesday, April 5, 2016

Hans Heinz Bollmann (Tenor) (Hamburg, Germania December 1, 1889 - Hamburg, Germania July 9, 1974)






Descended from a family of an old businessmans from Hamburg. At first he wanted to become a dentist. He studied singing in Hamburg and perfected his vocal uner Enrico Rosario in Milan. He began his stage career in the 1912-1913 season, appearing at the Stadttheater in Bochum. Then he was engaged in 1913-1915 seasons by the Stadttheater in Wilhelmshaven. After the First World War he took up his career and in 1919 sang at the Stadttheater of Nuremberg. He joined in the 1921-1925 seasons to the Stadttheater (Opernhaus) in Hamburg. In the 1925-1926 season he belonged to the Berlin State Opera, then turned to the operetta repertoire and sang in different operetta stages of the German capital, thus in the 1927-1928 season at the Theater des Westen in Berlin, in the 1930-1931 season at the Theater in Admiralspalast, in the 1935-1936 season at the Berlin Metropoltheater (here in 1935 in the premiere of ‘’Ball der Nationen’’ by Fred Raymond) and in the 1937-1938 season at the Theater des Volkes. In 1927 he had a sensational success in Berlin in the operetta ‘’Eine Frau von Format’’ opposite Fritzi Massary as a partner. In the 1928-1932 seasons he guested at the Theater in Wien and at the Johann Strauss Theater in Wien. In 1938 he was to be heard at the Raimund Theater in Wien. At the Theater in Wien he sang in 1931 in the premiere of F. Lehár’s operetta ‘’Schön ist die Welt’’. In Berlin he sang in 1928 with Vera Schwarz in ‘’La Barberina’’ of Ascher. He counted as a favorite singer of Franz Lehár. He sang  with great success the following parts in F. Lehár’s operettas: Danilo in ‘’Lustigen Witwe’’,  Titelhelden in ‘’Paganini’’, Goethe in ‘’Friederike’’ and Armand im ‘’Grafen von Luxemburg’’. His operatic repertoire included Don José in ‘’Carmen’’, Max in ‘’Freischütz’’, Rodolfo in ‘’La Bohème’’, Pinkerton in ‘’Madama Butterfly’’, count Almaviva in ‘’Il Barbiere di Siviglia’’. He also guested in Paris, London and the USA. Since 1930 he performed as film singer (‘’Frasquita’’,  ‘’A song for you’’, ‘’Der Bettelstudent’’ in 1931 with Jarmila Novotná). His first wife was an operetta singer Friedel Bollmann. His daughter Hannelore Bollmann was a known actress.

Chronology of some appearances

1912-1913 Bochum Stadttheater
1913-1915 Wilhelmshaven Stadttheater
1919 Nuremberg Stadttheater
1921-1925 Hamburg Stadttheater
1925-1926 Berlin State Opera
1927-1928 Berlin Theater des Westen
1928-1932 Wien Theater
1928-1932 Johann Strauss Theater 
1930-1931 Berlin Admiralspalast Theater
1935-1936 Berlin Metropoltheater
1937-1938 Berlin Theater des Volkes
1938 Wien Raimund Theater

RECORDINGS FOR SALE 










Gloria
Cavalleria Rusticana (Mascagni): Addio alla madre  10557a
Cavalleria Rusticana (Mascagni): Siciliana 10557b
Carmen (Bizet): Il fior 27630a

Odeon, Berlin 1926-03-05 (ac)
Trovatore (Verdi): Duo with Sabine Kalter 80460  7437
Trovatore (Verdi): Mal reggendo with Sabine Kalter 80461  74378

Homokord
Fanciulla del West (Puccini): Che'lla mi creda  4-8849 52349
Gioconda (Ponchielli): Cielo e mar  4-8849 52350

Forza del Destino (Verdi): Solenne in quest'ora with Manfred Lewandowsky 4-8907 52482
Pescatori di Perle (Bizet): Del tempio al limitar with Manfred Lewandowsky 4-8907 52483
Madama Butterfly (Puccini):  Bimba non piangere with Gita Alpar 4-9035 2-53033
Madama Butterfly (Puccini): Quest’obi pomposa with Gita Alpar 4-9035 2-53034

Electrola
Mignon (Thomas): Addio, Mignon E.G. 390 8-42021
Der Postillon von Lonjumeau (Adam): Postillon-Lied E.G. 390 8-42022

Amelia Canuti Billi (Soprano) (Parma 1880 - ?)


In 1907 she got married the baritone Remo Billi. She made her debut in 1900 at Bonifazio Astoli in Correggio as Micaela in ''Carmen''.

Chronology of some appearances

1900 Correggio  Teatro Bonifazio Astoli  Carmen (Micaela)
1903 Gubbio  Teatro Comunale  Rigoletto (Gilda)
1905 Torino  Teatro Balbo Lucia di Lammermoor (Lucia)
1907 Malta  Teatro Reale Don Pasquale (Norina)
1909  Vicenza Teatro Eretenio Mignon (Filina)
1911 Ancona  Teatro Vittorio Emanuele  Werther (Sofia)
1913 Genova  Politeama Genovese Barbiere di Siviglia (Rosina)
1918 Parma  Politeama Reinach Lucia di Lammermoor (Lucia)
1922 Boretto Teatro Sociale Rigoletto (Gilda)

RECORDINGS FOR SALE 









Pathé, Milano 1912/1913 
Rigoletto (Verdi): Quartetto with Monti-Brunner, Venerandi & Montesanto 84155
Traviata (Verdi): Scena della borsa with Franco de Gregorio  86433
Traviata (Verdi): Parigi, o cara with Franco de Gregorio 86434

Maria De Marsan (Marsans) (Mezzo-Soprano) (France 1880 ? - ?)


On 24. 09. 1904 she made her debut at the Opera-Comique as Coryphée in ‘’ Alceste’’. Here her repertoire included Lola, Santuzza in ‘’Cavalleria Rusticana’’, Gertrude in ‘’Louise’’, Taven, Andreloun in ‘’Mireille’’, Marion  in ‘’la Vivandière’’. In 1905 she went to Italy. 

Chronology of some appearances

1904 Paris Opera-Comique  Alceste (Coryphée)
1905 Genova Politeama Genovese Dannazione di Faust (Margherita)
1907 Madrid Teatro Reale Madama Butterfly (Suzuki)
1908 Forlì Teatro Comunale Werther (Carlotta)
1909 Firenze Politeama Nazionale  Aida (Amneris)

RECORDING FOR SALE









Odeon, Milano 1906/1907
Carmen (Bizet): Seguidilla 37442 
 

Wäinö Sola (Tenor) (vuoteen 1906 Sundberg; 8. tammikuuta 1883 Helsinki – 12. lokakuuta 1961 Helsinki)



Sola was also one of the founder of the innish Opera. Sola had his first stage experience at he age of 15 in the choir and drama club of the Kilpi Temperance Society. Sola was soon invited to participate in other stage activities in a semi-professional activity capacity. In 1903 the author Jalmari Finne asked him to join a theatrical company, he was founding in Viborg. This company presented plays, operettas and operas. After a near fiasco as Canio with John Forsell as Tonio, Sola decided he needed more training. Sola studied with Ettore Gandolfi in Berlin in1908. Sola debuted in a concert in Helsinki on December 9th 1908 with Oskar Merikanto at the piano. Sola continued his studies in Berlin (1909-10), Paris (1910) and Milano (1911). In 1911, Sola founded with Merikanto, Eino Rautavaara, and William Hammar the first regular Opera Company in Finland. The opening night was on October 2nd 1911 with Pagliacci and Cavalleria Rusticana. Sola sang both tenor roles. In 1916, Sola spent time in prison for his role in the underground independence movement. The Russian revolution got him out of jail. From 1920, Sola held with the company regular positions both as tenor and stage director until his retirement in 1949. Sola appeared in more than 100 operas and operettas. Sola also continued his career as concert singer, promoting the songs of Merikanto, Kuula and Sibelius. Sola appeared in hundreds of recitals and made four tours of the United States. Sola started recording in 1909 with Pathé. In 1919, Sola recorded with the Gramophone Company. He made close to 100 sides with them. During his visits in the US, Sola recorded with Columbia and Victor. In 1944, Sola recorded for the last time with the Rytmi label. Sola recorded an aria of the opera Nummisuutarit by Emil Kauppi. The premiere of that work in was of a fiasco. Apparently Kauppi disappeared forever as a result. He is thought to have drowned himself.
Chronology of some appearances

Finnish National Opera
 
RECORDINGS FOR SALE
 
 







Gramophone, Helsinki 1913-01-24
Pagliacci (Leoncavallo): Vesti la giubba 2-282270 4743ab
Cavalleria Rusticana (Mascagni): Viva il vino  2-282271 4745ab

 

Marguerite Sylva (Mezzo-Soprano) (10. 7. 1875 Bruxelles, † 21. 2. 1957 Glendale / California)



She studied singing in Paris, but made her debut in London in ‘’Carmen’’. She went to the Opéra -Comique in 1906 where she repeated her Carmen performances, as well as adding Santuzza (‘’Cavarlleria Rusticana’’), Catherine (‘’le Chemineau’’), Rose-Marie (‘’Le Point d'Argentan’’) and Taven (‘’Mireille’’) and Mignon to her repertoire. In 1909 she traveled to New York and Chicago, where she became a popular operetta celebrity. She appeared at the Paris Opéra in 1917 as Léonore in ‘’La Favorite’’.

Chronology of some appearances


Carmen 11/13/1909, Nedda 11/20/1909, Carmen 3/19/1910, 1/25/1911, Nedda 1/30/1911, Giulietta 2/4/1911, Carmen 2/13/1911, Giulietta 2/14/1911, Carmen 2/16/1911, Santuzza 2/18/1911, Giulietta 2/20/1911, Carmen 2/21/1911, Nedda 3/4/1911, Giulietta 3/25/1911, Nedda 3/29/1911, Olympia 4/1/1911, Carmen 11/6/1926 (Filadelfia)

RECORDINGS FOR SALE









Edison 4-min cylinders, USA 1910?
Freischütz (Weber): Grand air d'Agathe B183
Carmen (Bizet): Habanera B189
Pagliacci (Leoncavallo): Ballatella B194
Carmen (Bizet): Séguedille 40017
Cid (Massenet): Pleurez, mes yeux 40021
Faust (Gounod): Air des bijoux 40024, BA 28188

Edison, USA 1913?
Cavalleria Rusticana (Mascagni): Voi lo sapete 82039 BA 28183


















Monday, April 4, 2016

Koloman von Pataky (Tenor) (Alsó Lendva, Hungary November 14, 1896 - Hollywood, California April 28, 1964)




His real name was Kálmán Pataky de Déstalva. First he wanted to become an officer and graduated from the military academy in Budapest. After the First World War he received his education at the Franz Liszt Academy of Music and in 1921 he made his debut at the Urban Opera (Városi Szinház) in Budapest as Duke in ‘’Rigoletto’’. Then he joined to the Budapest National Opera. After five-year-old activity in this opera house he was engaged in 1926 by the Vienna State Opera, where he remained till 1938. Here his repertoire included Duke in ‘’Rigoletto’’, Rodolfo in ‘’La Bohème’’, Alvaro in ‘’La forza del destino’’, the Italian singer in "Rosenkavalier" and Masaniello in ‘’La Muette de Portici’’. He had a huge success in Vienna. Guest performances led him to the State Operas of Dresden (1927), Berlin and Munich. In 1928 he appeared at the Grand Opéra in Paris. At the Salzburg festival he sang in the 1929-1931 seasons:  Don Ottavio in ‘’Don Giovanni’’, Belmonte in "Entführung aus dem Serail", the Italian singer in "Rosenkavalier" and Florestan in ‘’Fidelio’’. At the Glyndebourne festival he had in 1936 a huge success as Don Ottavio in ‘’Don Giovanni’’. In the 1939-1940 season he appeared at La Scala as Hüon in ‘’Oberon’’, in the 1940-1941 season he sang at the Teatro Dell'Opera in Roma. In the 1935-1941 seasons he performed in South America, particularly at the Teatro Colón in Buenos Aires (beginning role: Fenton in ‘’Falstaff’’) and at the Opera in Santiago de Chile. Since 1938 he was a member of the National Opera of Budapest. In 1946 he left his Hungarian native country, then worked as a pedagogue in Santiago de Chile, later in Los Angeles and spent his last years in California. Lit.: S.Vilmos & I.Molnár: ‘’Pataky, Kálmán’’ (Budapest, in 1972).

Chronology of some appearances

1921 Budapest Urban Opera
1921-1926 Budapest National Opera
1926-1938 Vienna State Opera

RECORDINGS FOR SALE









Grammophon 1926/1927
Forza del destino (Verdi) O du, die nun in Ewigkeit 66558 121be
Rigoletto (Verdi) Parmi veder le lagrime 66558 122be

Grammophon 1927
Lustigen Weiber von Windsor (Nicolai) Horch die Lerche 66648 (B22360)

Aida (Verdi) Celeste Aida 66651 (J22168)
Bohème (Puccini): O, Mimì with H. Schlusnus 73090 (J25020)
Forza del destino (Verdi) Solenne in quest'ora with Schlusnus 73090 (J25019)
Così fan tutte (Mozart) Un aura amorosa 95374 444½bm
Don Giovanni (Mozart) Bande der Freundschaft 66650 443bm
Faust (Gounod) Cavatine 66649
Muette de Portici (Auber) Du einz'ger Tröster aller Armen 66649
Postillon de Longjumeau (Adam) Postillonlied 66648 (B22359)
Zauberflöte (Mozart) Bildnisarie 66650 442bm

Grammophon Berlin 1928
Pêcheurs de perles (Bizet) Mi par d'udir ancora (It)  66809 1324bm

Barbiere di Siviglia (Rossini) Ecco ridente (It) 66809 1329bm
Entführung aus dem Serail (Mozart) O wie ängstlich 66810 1325bm
Entführung aus dem Serail (Mozart) Wenn der Freude Tränen fließen 66810 1326bm
Manon Lescaut (Puccini) Donna non vidi mai 66811 1328bm I
Traviata (Verdi) Dei miei bollenti spiriti 66811 1327bm I

Grammophon, Berlin
Don Giovanni (Mozart) Tränen, vom Freund getrocknet  95374 214BV I
Huguenots (Meyerbeer) Ihr Wangenpaar 15008
Martha (Flotow) Ach so fromm 15008 216BV I

Odeon
Aida (Verdi) Celeste Aida A 235562 ab 133517
Pagliacci (Leoncavallo) Vesti la goiubba A 235562 ab 133515
Rigoletto (Verdi) La donna e mobile O-11746 ab 133514

Grammophon Berlin 1930
Gräfin Mariza (Kálmán): Komm Zigany  23154 (B43141)

Parlophon 
Liebste glaub´an mich Lehar B 49076 I II 133541
Lied des Herzogs (Johann Strauss): Treu sein, das liegt mir nicht B 49073 I II 133 4012
Auftrittslied des Herzogs (Johann Strauss):  Sei mir gegrüßt, du holdes Venetia B 49073 I II 133 4002
Auftrittslied des Paris (Offenbach): Auf dem Bege Ida B 49 074 I II 133 3992
Trinke Liebchen, trinke (Johann Strauss)  B 49 074 I II 133 3983
Walzertraum (Oscar Straus) B 49076 I II 133245



















Jean Martapoura (Baritone) (Brussels, Belgium 1860 - Brussels, Belgium 1929)



Originally Baron van Heekeren. He studied singing at the Conservatoire de Bruxelles  and on 05. 04. 1886 made his debut at the Paris Opéra as Grand Prêtre in E. Reyer's ‘’Sigurd’’. In the 1890’s he had a huge success at the Grand Opéra in Paris. Here he appeared in the following opera premieres: ‘’Ascanio’’ by C. Saint-Saëns (21. 3. 1890), ‘’Le Mage’’ by J. Massenet (16. 3. 1891). In 1891 he was engaged by the Metropolitan Opera in New York (debut: Mercutio in ‘’Roméo et Juliette’’ opposite Victor Capoul, Jean and Édourad de Reszke). At the MET, during his engagement in the 1891-1894 seasons, his repertoire included Valentin in ‘’Faust’’, Nevers in ‘’Les Huguenots’’, Oberthal in ‘’Le Prophète’’, Escamillo in ‘’Carmen’’, Frédéric in ‘’Lakmé’’ and Alfio in ‘’Cavalleria Rusticana’’. In 1894 he appeared in Chicago as Albert in the American première of J. Massenet’s ‘’Werther’’. He made guest appearances in Boston and Chicago. After his return to Europe, he performed as a guest at the opera houses of Brussels, Monte Carlo and Nice. By the end of his career he was active also as an operetta singer. Later he lived in Brussels.

Chronology of some appearances

1886 Paris Grand Opéra Sigurd (Grand Prêtre)
1891 New York Metropolitan Opera Roméo et Juliette (Mercutio)
1894 Chicago Opera House Werther (Albert)

RECORDING FOR SALE










Zonophone, Bruxelles 1902-01/03?
Hamlet (Thomas): O vin, dissipe la tristesse 1227



















Albert Huberty (Bass) (Febr. 1881 Seraing-sur-Meuse, † 10. 3. 1955 Ostende)





He studied singing at the Conservatoire de Bruxelles with Désiré Demest. In 1903 he joined as Comprimario to the Flemish Opera in Antwerp, in the 1903-1906 seasons he sang similar roles at the Théâtre de la Haye in the Hague. After perfecting his vocal technique under the famous bass Hypolite Belhomme in Paris, he became in 1908 the first bass of the Opéra de Rouen. Guest performances followed in Nantes and Algiers. Then he sang in the 1908-1909 season at the Covent Garden in London, in the 1909-1911 seasons at the Opera in New Orleans and in the 1911-1913 seasons he appeared in Montreal (Canada). In  the 1913-1914 season Huberty was active at the Opéra Royal de Wallonie in Liège. In 1915 he joined to the Opéra-Comique in Paris, in 1916 he was engaged by the Paris Grand Opéra, where he made his debut as Capulet in C. Gounod’s ‘’Roméo et Juliette’’ and worked here up to the end of his career (1939). Here he appeared in 1923 in the première of the opera ‘’Khovantchina’’ of M. Mussorgsky. In 1927 he performed in the unforgettable Paris première of R. Strauss’s ‘’Rosenkavalier’’. He sang there in the following opera premieres:  ‘’La Légende de Saint Christophe’’ by  d'Indy (6. 6. 1920), ‘’Le Jardin du Paris’’ by A. Bruneau (29. 10. 1923), ‘’L'Arlequin’’ of Max d'Olonne (22. 12. 1924), ‘’Virginie’’ of Alfred Bruneau (6. 1. 1931), ‘’Roland et le mauvais garçon’’ of Henri Rabaud (28. 5. 1934) and ‘’La Chartreuse de Parme’’ of Henri Sauguet (16. 3. 1939). He guested regularly at the Théâtre de la Monnaie in Brussels. here he had in 1920 a special success in G. Verdi’s ‘’Falstaff’’, later as König Marke in ‘’Tristan und Isolde’’. He made guest appearances also in Vichy, Antwerp, Ostend as well as in 1921 at the Teatro Colón in Buenos Aires. Later he taught singing at the Conservatoire de Bruxelles.

Chronology of some appearances

1903 Antwerp Flemish Opera
1903-1906 The Hague Théâtre de la Haye
1908 Opéra de Rouen
1908-1909 London Covent Garden
1909-1911 New Orleans Opera
1911-1913 Monreal Opera
1913-1914 Liège Opéra Royal de Wallonie
1915 Paris Opéra-Comique
1916-1939 Grand Opéra

RECORDINGS FOR SALE 










Pathé, Paris 1928?
Hérodiade (Massenet): Air de Phanuël 7123 201120
Faust (Gounod): Sérénade 7123 201121

Pathé, Paris
Rosenkavalier (Strauss): Je suis mort with Almona PDT83 CPTX534-1
Rosenkavalier (Strauss): Nobles Seigneur with Almona PDT83 CPTX535-1



















Félix Vieuille (Bass) (15 octobre 1872, Saujon – 28 février 1953, Saujon)




He studied singing at the Conservatoire National de Paris under the pedagogues Achard and Giraudet. Already in 1897 he sang in Aix-les-Bains the part of Leporello in ‘’Don Giovanni’’. He made his real debut the next year at the Opéra-Comique in Paris. His nephew Jean Vieuille (1902-1967) had a significant career as baritone.

Chronology of some appearances (Opera Premieres)

2. 2. 1900 Paris Opéra-Comique Louise by G. Charpentier
30. 4. 1902 Paris Opéra-Comique Pelléas et Mélisande by C. Debussy
16. 3. 1904 Paris Opéra-Comique La fille de Roland by H. Rabaud
3. 3. 1905 Paris Opéra-Comique L'Enfant Roi by A. Bruneau
26. 12. 1905 Paris Opéra-Comique Les Pêcheurs de Saint-Jean by Ch.-M. Widor
6. 5. 1906  Paris Opéra-Comique Le Roi aveugle by H. Février
10.5.1907 Paris Opéra-Comique Ariane et Barbe-Bleue by P. Dukas
1907 Paris Opéra-Comique Circé by Paul and Théodore Hillomacher
30. 10. 1909 Paris Opéra-Comique Chiquito by Jean Nouguès
30. 11. 1910 Paris Opéra-Comique Macbeth by Ernest Bloch
15. 12. 1911 Paris Opéra-Comique Bérénice of A. Magnard
7. 2. 1912 Paris Opéra-Comique La Lépreuse of Silvio Lazzari
29. 10. 1912 Paris Opéra-Comique La Danseuse de Pompéi by Jean Nouguès
20. 3. 1913 Paris Opéra-Comique Le Carilloneur of Xavier Leroux
10. 5. 1914 Paris Opéra-Comique Marouf of Henri Rabaud
19.5.1920 Paris Opéra-Comique Lorenzaccio of Ernest Moret
7. 12. 1921 Paris Opéra-Comique Dans l'ombre de la Cathédrale of Georges Hüe
16. 12. 1927 Paris Opéra-Comique Le pauvre matelot of Darius Milhaud
24. 4. 1929 Paris Opéra-Comique Le Peau de Chagrin by Charles Lavadé
19. 3. 1930 Paris Opéra-Comique Le Sicilien of Omer Letorey
 
RECORDING FOR SALE









Odeon, Paris 1907
Le cor (Flegier) 60460 xP 3589 


Adriana Perris (Soprano)



Chronology of some appearances

1938 Roma, Teatro dell’Opera Boheme (Musetta)
1939 Florence Teatro Comunale Boheme (Musetta)
1939 Roma, Terme di Caracalla Carmen (Micaela)
1939 Roma, Terme di Caracalla Pagliacci (Nedda)
1939 Adria, Teatro Comunale Boheme (Musetta)
1940 Roma, Teatro dell’Opera Boheme (Musetta)
1940 Milano, Teatro Puccini Madama Butterfly (Cio-Cio-San)
1941 Milano, Teatro Puccini Madama Butterfly (Cio-Cio-San)
1941 Roma, Teatro dell’Opera L’arlesiana (Vivetta)
1941 Roma, Teatro dell’Opera Traviata (Violetta)
1943 Milano, Teatro alla Scala L’arlesiana (Vivetta)
1947 Roma, Teatro dell’Opera Pagliacci (Nedda)
1949 Roma, Terme di Caracalla Pagliacci (Nedda)

RECORDING FOR SALE










Columbia, Milano
Boheme (Puccini):  Quando men vo soletta per la via GQX11080 CBX 1490

Jean Claverie (Bass) (Lourdes 8. 11. 1902 - Paris 4. 11. 1963)




First he studied at the Conservatory in Toulouse, then at the Conservatoire National de Paris. In 1928 he made his debut at the Grand Opéra Paris as Mefistofeles in Gounod's ‘’Faust’’. At this opera house, for many years he had a huge success in different baritone roles, including Wagner parts such as Wotan in the Ring. On January 12, 1928 he sang there in the world premiere of the opera ‘’La Tour de Feu’’ by Sylvio Lazzari and on March 10, 1936, in the world premiere of Enescu's  ‘’Oedipe’’. Guest appearances led him to the leading opera houses of France and throughout Europe. In 1941, he became a member of the Opéra-Comique in Paris. Here he debuted as Osmin in ‘’Entführung aus dem Serail’’, then, among other roles, in the world premiere of Henry Barrauda's ‘’La farce de maître Patelin’’ (June 26. 1948) and in roles like Escamillo in ‘’Carmen’’, Ramon in ‘’Mireille’’ by C. Gounod, Nilakantha in ‘’Lakmé’’ by L. Delibes and the elder Germont in ‘’La Traviata’’. In March he sang at the Nice Opera in the world premiere of the opera ‘’Quatre-Vingt-Treize’’ by Charles Silver. After the end of his active singing career, he served from 1953 until his death as professor at the Conservatoire de Paris. His daughter, Michèle Claverie (born 1939) became a well-known coloratura soprano. His younger brother also became an important singer under the name Charles Clavensy (1914-1988). 

Chronology of some appearances

1928 Paris Grand Opéra
1941 Paris Opéra-Comique

RECORDINGS FOR SALE









Odeon, Paris 1931-04-11
Don Quichotte (Massenet): Comment 29538 138122

Odeon, Paris 1931-10-13
La damnation de Faust (Berlioz): Voici des Roses 29560 138473
La damnation de Faust (Berlioz): Sérénade 29560 138472

Parlophone 1931?
Le Caïd (Thomas): Je comprends que la belle 138703
Faust (Gounod): Sérénade 29.517 106448
Faust (Gounod): Veau d'or 106450
Patrie (Paladille): Pauvre 95608
Roméo et Juliette (Gounod): Die qui fis 95638
Le chalet (Adam): Arrêtons-nous ici  95606
Phile et baucis (Gounod): Ari de vulcain 95607















José Mossesgeld Santiago (Bass/Baritone) (1893-1959)



Under the stage name Jose Santiago-Font he appeared at the opera houses of Italy, South America and the United States. He was the first Filipino singer to perform at the Teatro Alla Scala in Milano. His repertoire included Wotan in ‘’Walkiria’’, Sparafucile in ‘’Rigoletto’’, Oroveso in ‘’Norma’’, Alessio in ‘’Sonnambula’’, Alvise in ‘’Gioconda’’.

Chronology of some appearances

1928 Milano Teatro Alla Scala Rigoletto (Sparafucile)
1933 Bergamo Teatro Donizetti Walkiria (Wotan)
1934 Verona Teatro Filarmonico Baldo (Jacopo)
1935 Barcelona Teatro liceo Rigoletto (Sparafucile)
1935 Venezia Teatro alla Fenice Norma (Oroveso)
1935 Venezia Teatro alla Fenice Baldo (Jacopo)
1935 Catania Teatro Bellini Sonnambula (Alessio)
1935 Venezia Teatro alla Fenice Gioconda (Alvise)
1936 Torino Teatro Regio Tristano e Isotta (re Marke)

RECORDINGS FOR SALE 









Columbia
Ballo in maschera (Verdi): Eri tu 52021-X 83066
Nena’s Lullaby... Don’t You Go to Zamboanga 2548-X
Carmen (Bizet): Votre toast 52021-X 83065
Traviata (Verdi): Di Provenza 52020-X  83067