Nino Perya (Tenor) (Palermo 1878 - ?)

He studied singing at Palermounder the teacher Cairone and in Milanwith the pedagogue Pintorno. In 1901 he made his debut at the Teatro Politeama Grà of Alessandriain G. Verdi’s ‘’Traviata’’.

Chronology of some appearances

1901 Alessandria Politeama Grà Traviata (Alfredo)

1903 Brindisi Teatro Verdi Rigoletto (Duca)

1904 MaltaTeatro Reale Faust (Faust)

1905 Cagliari   Teatro Civico   Adriana Lecouvreur (Maurizio)

1908 Torino Teatro Vittorio Emanuele Pagliacci (Canio)

1909 Torino Teatro Vittorio Emanuele Cavalleria Rusticana (Turiddu)

1910 Palermo  Teatro Massimo Tosca (Cavaradossi)

1912 Grosseto Teatro Degli Industri  Tosca (Cavaradossi)

1919 Palermo  Teatro Biondo  Ballo in Maschera (Riccardo)

RECORDING FOR SALE

Edison, Milano 1912

Tosca (Puccini): Recondita armonia Unpubl. 1

Tina Farelli (Mezzo-Soprano) (Firenze 1879 - ?)

She made her debut as mezzo-soprano, but after additional vocal studies under the pedagogue Serafino De Falco she made her second debut as soprano in 1902 at the Teatro Municipale in Piacenza in ‘’Ballo in Maschera’’. She married to conductor Bovi and after her retirement opened in Havana the school of song "Accademia Filarmonica Italiana". She settled in Cuba, where her school was actived still  in 1930.

Chronology of some appearances

1898 Voghera  Teatro Sociale La Resurrezione di Lazzaro di L.Perosi

1900 Ajaccio Teatro Comunale  Rigoletto (Maddalena)

1902 Bucarest Teatro Nazionale Lohengrin (Ortruda)

1905 Castelsangiovanni Teatro Verdi Cavalleria Rusticana (Lola)

1907 Lugano Teatro Apollo Carmen (Carmen)

1909 Venezia   Teatro Rossini Norma (Adalgisa)

RECORDINGS FOR SALE

G&T, Milano 1905

Guarany (Gomez): Sento una forza indomita with Gino Martinez-Patti 054052 500c
Forza del destino (Verdi): La vergine degli angeli 53407 7116½b
Trovatore (Verdi): Mal reggendo with Gino Martinez-Patti 54267 7563b
Africaine (Meyerbeer): Sei l'angiol di letto with Gino Martinez-Patti 54252 7064b

Adele Rizzini (Soprano) (Torino 1877 - ?)

                                                                  Santuzza

                                                           Umberto Masetti

She studied singing at the Liceo Musicale in Bologna under Umberto Masetti and Alessandro Busi. She made her debut in 1897 at the Teatro Nazionale of Rome in P. Mascagni’s ‘’Cavalleria Rusticana’’. In 1898 she sang at the Teatro Filodrammatici in Milan in the world premiere of the opera ‘’Mal d'Amore’’ of E. Mascheroni. She retired from the stage in 1931.

Chronology of some appearances

1897 Roma Teatro Nazionale Cavalleria Rusticana (Santuzza)

1899 Milano Teatro Lirico I Rantzau (Luisa)

1901 Genova Politeama Genovese Mignon (Federico)

1904 Cuneo Teatro Toselli Fedora (Fedora)

1906 Piacenza Teatro Municipale BOHEME (Mimì)

1908 Torino Teatro Vittorio Emanuele La Principessa di  L. Capozzi Gaeta (Principessa)

1910 Pesaro Teatro Rossini Mignon (Mignon)

1913 Cremona Politeama Verdi Mignon (Mignon)

1917 San Paolo Teatro San JosèFaust (Margherita)

1920 Buenos Ayres Teatro Marconi  Boheme (Mimì)

1922 Montevideo Teatro 18 de Julio Pagliacci (Nedda)

1926 Buenos Ayres Teatro Marconi Aida (Amneris)

1930 Buenos Ayres Teatro Marconi Cavalleria Rusticana (Santuzza)

1931 Buenos Ayres Teatro Marconi Cavalleria Rusticana (Santuzza)

RECORDING FOR SALE

G&T, Milano 1905
Rigoletto (Verdi): Si vendetta with Renzo Minolfi 54271 7349b
Traviata (Verdi): Libiam libiamo (Brindisi) with Adele Rizzini 54272 7553b 
Traviata (Verdi): Parigi o cara with Emilio Perea 54270 7346b

Claudio Frigerio (Baritone) (Patterson, USA 1903 – Hollywood, Florida 1980)

He studied singing in Italyand made his debut in 1925 at the Teatro Carcano in Milano as Conte in G. Verdi’s ‘’Trovatore’’.

Chronology of some appearances

1925 Milano Teatro Carcano Trovatore (Conte)

1927 MaltaTeatro Reale Pagliacci (Tonio)

1929 Milano Teatro Nazionale Ernani (Carlo)

1932 New York Teatro Metropolitan Simon Boccanegra (Paolo)

1934 Chicago  Civic Opera House Pagliacci (Tonio)

1937 New York Hippodrome Rigoletto (Rigoletto)

1939 New York Hippodrome Rigoletto (Rigoletto)

1953 New York City Opera Traviata (Germont)
1956  New York Academyof Music Boheme (Marcello)

RECORDING FOR SALE

HMV, Milano 1926-10-04

Ballo in maschera (Verdi): Alla vita R5327 7-252568

Galileo Parigi (Baritone) (Firenze 1885 - ?)

He studied singing at Florence under the pedagogue Giovanni Mirabella. Probably he made his debut in 1907 at the Teatro Degli Industri in Grosseto as Conte in ''Trovatore''.

Chronology of some appearances

1907 Grosseto Teatro Degli Industri   Trovatore (Conte)

1910 Catanzaro Teatro Comunale Favorita (Alfonso)

1913 Messina  Teatro Mastroieni Forza del Destino (Carlo)

1916 Torino Teatro Trianon Barbiere di Siviglia (Figaro)

1920 Roma Teatro Nazionale Aida (Amonasro)

1922 Bergamo  Teatro Delle Società   Boheme (Marcello)

1924 Carrara  Politeama Verdi Ballo in Maschera (Renato)

1927 Amsterdam Stadsschouwburg   Adriana Lecouvreur (Michonnet)

1930 San Diego Russ Auditorium Pagliacci (Tonio)

1933 Milano Teatro Lirico Rigoletto (Rigoletto)

RECORDING FOR SALE

Disco Quillet

Aida (Verdi): Quest'assisa with Unknown soprano 40

Maria Santoliva Villani (Soprano) (1875 - 1948)

After finishing her education she had her first success in guest performances at the Teatro Politeama Garibaldi in Palermo, at the Teatro Mercadante in Naples, at the Teatro Della Pergola in Firenze and at the Teatro Coccia in Novara. In Livorno she sang in A. Ponchielli’s  ‘’Gioconda’’. In 1905 she made guest appearance at the Opera House of Odessa in  ‘’Trovatore’’ and ‘’Ugonotti’’. In 1908 she appeared at the Polietama Rossini in Tunis. In Spain she sang at the Teatro Principal of Valencia. In 1909 she sang at the Teatro Bellini in Naples; in 1910, with an Italian opera troupe, to which also belonged the famous baritone Mattia Battistini, she performed in Bucharest. She was married the bass-baritone Roberto Villani, who belonged to the Italian singer's family Villani. Her daughter Renata Villani was a known soprano. She retired from the stage in 1924.

Chronology of some appearances

1903 PalermoTeatro Politeama Garibaldi Ruy Blas (Maria)
1903 Novara Teatro Coccia Germania (Ricke)

1905 Naples Teatro Mercadante Lucrezia Borgia (Lucrezia)

1905 Odessa Opera House Trovatore (Leonora)

1905 ValenciaTeatro Principal Tosca (Tosca)
1906 Firenze Teatro Della Pergola Tosca (Tosca)

1906 Livorno Politeama  Gioconda (Gioconda)

1907 Naples Teatro Bellini Fedora (Fedora)

1908 Tunis Polietama Rossini  Tosca (Tosca)
1910 Bucharest Teatro Lirico Trovatore (Leonora)

RECORDINGS FOR SALE

Gramophone, Milano 1912-03-04

Tosca (Puccini): Vittoria! Vittoria! with Egidio Cunego and Ernesto Badini 054379 02330v

Tosca (Puccini): Giа mi dicon venal with Ernesto Badini 054380 02331v

William von Haxthausen (Tenor)

About this tenor it's impossible to find information. Maybe he never performed on the opera stage.

RECORDINGS FOR SALE

Zonophone, Berlin 1905-09

Cavalleria Rusticana (Mascagni): Siziliana 22245 4016g

Lohengrin (Wagner): Schwanenlied 22246 4017g

Phyllis und die Mutter (trad) X-22313 3811h
Mignon (Thomas): Leb' wohl, Mignon X-22312 3812h

Zonophone, Berlin 1907

Carmen (Bizet): Blumenarie X-22567

Ermanno Eck (Bass)

In 1913 he appeared at te Teatro Alfieri in Asti as Oroveso in Bellini's ''Norma''.

Chronology of appearances

1913 Asti Teatro Alfieri Norma (Oroveso)

RECORDING FOR SALE

Edison, Milano 1912
Salvator Rosa (Gomes): Di sposo di padre Unpubl. 44659

Antonio Gelli (Bass) (Ravenna 1897 - Milano 1960)

He made the debut as baritone, but soon sang buffo roles. In 1933 he made guest appearance at the Covent Garden in London as Sagrestano in ‘’Tosca’’ of Puccini. After the retirement he devoted himself to the teaching.

Chronology of some appearances

1921 Ravenna Teatro Alighieri Pescatroi di Perle (Zurga)

1924 Milano Teatro Dal Verme Bboheme (Marcello) 

1926 Novara Teatro Coccia Forza del destino (Melitone)

1928 Catania Teatro Bellini Don Chisciotte (Sancho) 

1930 Bari Teatro Petruzzelli Boheme (Benoit/Alcindoro) 

1932 Novara Teatro Coccia Forza del destino (Melitone)

1934 Bagnacavallo Politeama Verdi Andrea Chenier (Roucher)

1936 Parma Teatro Regio Tosca (Sagrestano)

1938 Genova Teatro Carlo Felice Barbiere di Siviglia (Don Bartolo)

1940 Venezia Teatro La Fenice Arlecchino di F.Busoni

1942 Milano Teatro Lirico Barbiere di Siviglia (Don Bartolo)

1948 Castelsangiovanni Arena Augustea Barbiere di Siviglia (Don Bartolo)

1949 Cremona  Teatro Ponchielli Elisir d'amore (Dulcamara)

RECORDINGS FOR SALE

HMV, Milano

Elisir d'amore (Donizetti): Udite o rustici S10163 (102-648)

Elisir d'amore (Donizetti): E questo l'odontalgico S10163 (102-649)

Barbiere di Siviglia (Rossini): Manca un foglio S10166 (102-655)

Rosina Zotti (Soprano) (Imola 1883 - Pralboino 1973)

She studied singing at the Liceo Musicale of Bologna under the pedagogue Vezzani and made her debut in 1910 at the Teatro Comunale in Bologna in ‘’Crepuscolo degli Dei’’.

Chronology of some appearances

1908    BolognaTeatro Comunale Crepuscolo Degli Dei

1910    Rimini   Teatro Vittorio Emanuele Africana (Ines)

1912    Asti Politeama Nazionale Sulle rive del Danubio di C. Bondonio (Lity)

1914    Milano Teatro Dal Verme Natale di A. Cadore

1916    Milano Teatro Dal Verme Mefistofele (Margherita)

1919    Detroit Teatro Schubert Pagliacci (Nedda)                             

1922    Como  Teatro Sociale  Wally (Wally)
1923    Piacenza Teatro Municipale Francesca da Rimini (Schiava)

RECORDINGS FOR SALE

Odeon, Milano

Carmen (Bizet): Mia madre vedo ancor with Carlo  Albani 110277

Carmen (Bizet): Ti baciava mia madre with Carlo Albani 110278

Giulietta Battaglioli (Soprano)

She studied singing at Milanunder Lucia Baragli and probably made her debut in 1905 at the Teatro Guglielmi in Massa as Musetta in ‘’Boheme’’. She married to tenor Vincenzo Leotti.

Chronology of some appearances

1905 MassaTeatro Guglielmi Boheme (Musetta)

1908 Novara Politeama Cavalleria Rusticana (Santuzza)

1910 Zithomir  Teatro Nazionale Trovatore (Leonora)

1912 Cerignola Teatro Mercadante Fedora (Fedora)

RECORDINGS FOR SALE

Artiphon

Ballo in maschera (Verdi): Ma dall'arido stelo 8018  A41021

Edison

Aida (Verdi): O patria mia 44673 Unpubl.

Victor 

Traviata (Verdi):  Non sapete with Ernesto Badini  45028 13180b-1

Emilia Locatelli (Mezzo-Soprano)

Probably she made her debut in 1885 at the Teatro Maruccino in Chieti as Laura in Ponchielli's ‘’Gioconda’’.

Chronology of some appearances

1885 Chieti Teatro Marruccino Gioconda (Laura)

1887 Fano Teatro Della Fortuna Fa' Diavolo (Pamela)

1889 Rosario di Santa Fè Teatro Olimpo Aida (Amneris)

1891 Rimini  Teatro Vittorio Emanuele Favorita (Leonora)

1895 Piacenza Politeama Trovatore (Azucena)

1897 Roma Teatro Argentina Andrea Chenier (Contessa/Madelon)

1900 Minsk Teatro Nazionale Cavalleria Rusticana (Lola)

1903 Sebastopoli Teatro Nazionale Mignon (Federico)

1907 Milano Teatro La Scala Cavalleria Rusticana (Lucia)

1909 Lugano Teatro Apollo Andrea Chenier (Madelon)

RECORDINGS FOR SALE

Odeon, Milano 1905

Favorita (Donizetti): O mio Fernando 37079 Xm260

Mignon (Thomas): Non conosci il bel suol 37097 Xm261

Giuseppe Sorgi (Bass) (Santa Flavia/Palermo 1874 - ?)

He studied singing under the pedagogue Gaetano Ortisi. Probably he made his debut in 1899 at the Teatro Politeama in Sassari in ‘’Carmen’’. Already the next year he sang at the Teatro Dal Verme in Milano. Then he made successful guest appearances at Barcelona (1902/1903), Alessandria (1903), San Paolo (1904), Belem(1905), Buenos Aires (1906), Montevideo(1908), Lima (1910), Havana(1911) and Lisbon(1914). Probably he retired from the stage in USA.

Chronology of some appearances

1898 SassariPoliteama Carmen (Zuniga)

1900 Reggio Emilia Teatro Municipale Gioconda (Alvise)

1902 La Spezia Politeama Duca di Genova Barbiere di Siviglia (Don Basilio)

1904 Firenze Teatro Alfieri Rigoletto (Sparafucile)

1906 Buenos Ayres Teatro Marconi Boheme di R.Leoncavallo (Colline)

1908 Buenos Ayres Coliseo Barbiere di Siviglia (Don Basilio)

1910 Lima Teatro Forero Ernani (Silva)

1912 Havana Teatro Paynet Boheme (Colline)

1914 Bologna  Teatro Verdi Puritani (Giorgio)

1916 Philadelphia Academy of Music Lucia di Lammermoor (Raimondo)

1918 New York Teatro Gotham Stagione

RECORDING FOR SALE

Edison

Roberto il Diavolo (Meyerbeer): Suore che riposate 44624 Unpubl.

Henri (Enrico) Berriel (Baritone)

He was of French origins. First he graduated in medicine and then studied singing. He made his debut in the early 1900s at Paris in ‘’Traviata’’ and ‘’Carmen’’. After successful appearances he was engaged by the Opera House of Nice to sing in ‘’Otello’’ and ‘’Dolores’’ of  T. Breton. In 1904 he went to Italy to perform at the Teatro Carlo Felice in Genoa in ‘’La dannazione di Faust’’ and ‘’Siberia’’. In 1910 he appeared at the Teatro Costanzi in Rome as Wotan in ‘’Walkiria’’. He was a great friend of the French dramatist Victorien Sardou. His wife was the famous soprano Amelie Talexis.

Chronology of soem appearances

1903 Genova T. Carlo Felice   Dannazione di Faust

1904 Genova T. Carlo Felice   Siberia

1905 Genova Politeama Genovese Adriana Lecouvreur

1906 Brescia T. Grande Tristano e Isotta

1907 Genova T. Carlo Felice   Amica

1908 Madrid T. Reale Lohengrin

1909 Roma T. Costanzi Walkiria

1910 Torino T. Vittorio Emanuele Otello

1911 Roma T. Adriano Tosca

1912 Roma T. Adriano Venezia di E. Storti

RECORDINGS FOR SALE

Columbia, Milano 1908/1909

Africaine (Meyerbeer): Ballata d'Adamastor 10758

Africaine (Meyerbeer): Figlia di regi 10763

Carlo Scattola (Bass) (Vicenza 1878 - Milano 1947)

About the beginnings of his career is known a little, but probably he made his debut in 1899 at the Teatro Rossini of Venice in ‘’Carmen’’. In 1912 he appeared at the Teatro alla Scala in Mascagin’s ‘’Isabeau’’. After the First World War he began the second career as Bass-Buffo, which was very successful. In 1922 he again sang at the Teatro alla Scala, but this time in ‘’Gianni Schicchi’’. Here in 1934 he performed in the premiere of Lodovico Rocca’s ‘’Il Dibuk’’. Already in 1927 he took part at the Teatro Torino in Torino in the premiere of the opera ‘’Madonna Imperia’’ of Franco Alfano. In 1926 he sang opposite Conchita Supervia at the Teatro Argentina in Romeas Taddeo in ‘’L'Italiana in Algeri’’. In 1938 he sang at the Arena di Verona in Puccini’s ‘’Boheme’’. He also appeared in opera performances of the Italian broadcasting company EIAR. He retired from the stage in 1946.

Chronology of some appearances

1899 Venezia Teatro Rossini Carmen (Zuniga)

1905 Torino Teatro Vittorio Emanuele Giovanni Gallurese di I.Montemezzi

1913 Bari Teatro Petruzzelli Erodiade (Fanuel)

1916 Genova   Politeama Duca di Genova Figlia Del Reggimento (Ortensio)

1918 Genova Politeama Genovese Manon Lescaut (Geronte)

1920 Torino Teatro Verdi Andrea Chenier (Roucher)

1922 Milano Teatro La Scala Gianni Schicchi (Simone)

1925 Reggio Emilia Teatro Municipale Francesca da Rimini (Giullare)

1928 Madrid Teatro Zarzuela Italiana in Algeri (Mustafà)

1931 Cairo Teatro Kedivhiale Aida (Re)

1934 Milano Teatro La Scala Fra' Diavolo (Matteo)

1937 Milano Teatro La Scala Tosca (Sagrestano)

1941 Rovigo Teatro Sociale Il Campiello di E.Wolf Ferrari (Fabrizio)

1946 Rovigo Teatro Sociale Boheme (Benoit/Alcindoro)

RECORDINGS FOR SALE

Phonodisc, Milano 1913/1914

Aida (Verdi): Nume custode vindice with Mario Zoli and Rosina Medini 850

Gramophone, Milano 1918-10-17

Mefistofele (Boito): Se tu mi doni un ora with Beniamino Gigli 7-52111 20257b

Odeon/Fonotipia, Barcelona (Madrid?) 1928-02-13
Italiana in Algeri (Rossini): Per lui che adoro with Bettoni, Supervia and Ederle 120200 XXS4617

Giovanni Bardi (Bass) (Cagliari 1878? - Havana 1918)

He studied singing at Milanunder Carlo Schneider and made his debut in 1905 at the Teatro Sociale of Monza as Angelotti in ''Tosca''. He had a successful career at the famous opera houses in the Italian province. In 1911 he sang at the Teatro Costanzi in Romeas Ramphis in Verdi’s ‘’Aida’’. In 1914 he again appeared there as Baldassare in ''Favorita'' of Donizetti, Cieco in Mascagni's ''Iris'' and Aldobrandini in ''Parisina'' of the same composer. In the 1905-06 he appeared at Piacenza in the Italian première of the opera ''Nadeya'' of Rossi and as Colline in ''Boheme''. In the 1907-1908 season he was to be heard at the Teatro Regio in Parma, where he sang in ''Rose Rosse''  of Brizzi and in Mascagni's opera ''Amica'' (opposite Tina Poli-Randaccio and Emanuele Ischierdo). In the 1916-18 seasons he was engaged by the Teatro Nazionale of Havana.

Chronology of some appearances

1905 Monza Teatro Sociale Tosca (Angelotti)

1907 Venezia Teatro La Fenice Jana di R.Virgilio (Stefano)

1909 Cairo  Teatro Khediviale  Fedora (Cirillo)

1910 Brescia Teatro Grande Loreley (Margravio)

1911 Cairo Teatro Khediviale Lohengrin (Re Enrico)

1912 Alessandria d'Egitto Circolo Italiano Concerto

1913 Santiago delCile Teatro Municipal  Tzigana di F.Leoni

1914  Roma Teatro Costanzi   Boheme (Colline)

1915 Bologna  Teatro Verdi Boheme (Colline)

1916 Havana Teatro Nacional Iris (Cieco)

1917 Havana Teatro Nacional Dannazione di Faust (Brander)

1918 Havana Teatro Nacional Iris (Cieco)

RECORDING FOR SALE

Pathé, Milano 1908/1909
Rigoletto (Verdi): Signor? with Michele de Padova 84132

Pathé, Milano 1912?
Ernani (Verdi): Ferma crudele with Elvira Magliulo and Bindo Gasparini 86278 12518

Amleto Galli (Bass) (Bologna 1886 - Milano 1949)

First he became an apprentice to a shoemaker, then an engraver. After his voice had been discovered, he visited only five months the conservatoire of Bolognaand he was also practically an autodidact. He was a very many-sided gifted artist, beside his career as a singer he showed substantial talents as a painter and sculptor and dealt with the astronomy. Probably he made his debut in 1905 and sang first at the smaller Italian stages. In the 1911-12 season he was to be heard at the Teatro alla Scala in the classical opera ‘’Armida’’ of Gluck. In 1914 he performed there in the premiere of the opera ‘’L'Ombra di Don Giovanni’’ of F. Alfano. In 1922 he took part at the Teatro alla Scala in the premiere of I. Pizzetti’s opera ‘’Debora e Jaele’’. One of his brilliant achievements was the role of Lunardo in ‘’Quattro rusteghi’’ of Wolf-Ferrari. In 1936 he sang with great success at the Teatro Carlo Felice in Genoa in the premiere of the opera ‘’Giulio Cesare’’ by G. Fr. Malipiero.

Chronology of some appearances

1905 Venezia Teatro Rossini Le Nozze Istriane di A.Smareglia (Menico)

1908 PistoiaPoliteama Mabellini Carmen (Zuniga)

1911 Milano Teatro Dal Verme Lucia di Lammermoor (Raimondo)

1913 Milano Teatro La Scala Oberon (Almansor)

1915 Parma Politeama Reinach Lohengrin (Araldo)

1917 Padova Teatro Garibaldi Lucia di Lammermoor (Raimondo)

1920 Bari Teatro Petruzzelli Pescatori di Perle (Nourrabad)

1924 Padova Teatro Garibaldi Ballo in Maschera (Samuel)

1930 Bari Teatro Petruzzelli Tosca (Angelotti)

1933 La Spezia Politeama Duca di Genova Gianni Schicchi (Spinelloccio/Ser Amantio)

1937 Rovigo Teatro Sociale Traviata (Douphol)

1940 Foggia Teatro Flagella I Quattro Rusteghi di E.Wolf Ferrari (Cancian)

1941 Vicenza Teatro Verdi I Quattro Rusteghi di E.Wolf Ferrari (Cancian)

RECORDINGS FOR SALE

Victor, USA 1910-12-09

Gioconda (Ponchielli): Si, morir 55019 236aj

Fonografia Nazionale

Mefistofele (Boito): Son lo spirito (Canzone del fischio) 682

Pathé, Milano 1921?

Mefistofele (Boito): Ballata del mondo 10334 86705

Mefistofele (Boito): Ave Signor 10334 86706

Michele Mulleras (Tenor) (Barcelona 1883 - ?)

                                                                  Rodolfo

His career lasted more than 20 years. He appeared with success at different opera houses of Spain, Italy and South America, especially at the Teatro Liceo in Barcelona, where he sang between 1913 and 1932, sharing roles with tenors Hipolito Lázaro and Bernardo de Muro. He retired from the stage in 1932 after performing  in ‘’Madama Butterfly’’ at the Teatro Liceo of Barcelona. He made two records for Gramophone.

Chronology of some appearances

1909    Lisbona Coliseo Recrejos Stagione

1910    Lisbona Aguia de Oro Favorita (Fernando)

1910    Lisbona Coliseo Recrejos Stagione

1911    Lisbona Coliseo Recrejos Stagione

1912    AlessandriaEgitto T.Alhambra Madama Butterfly (Pinkerton)

1913    Lisbona Coliseo Recrejos Tosca (Cavaradossi)

1913    Lisbona Coliseo Recrejos Boheme (Rodolfo)

1913    Lisbona Coliseo Recrejos Gioconda (Enzo)

1913    Lisbona Coliseo Recrejos Cavalleria Rusticana (Turiddu)

1913    Lisbona Coliseo Recrejos Madama Butterfly (Pinkerton)

1913    Lisbona Coliseo Recrejos Faust (Faust)

1913    Lisbona Coliseo Recrejos Lucia di Lammermoor (Edgardo)

1913    Lisbona Coliseo Recrejos Lohengrin (Lohengrin)

1913    OportoT.Eden Favorita (Fernando)

1913    OportoT.Eden Fedora (Loris)

1914    Lisbona Coliseo Recrejos Lohengrin (Lohengrin)

1914    Lisbona Coliseo Recrejos Mefistofele (Faust)

1917    Lisbona Coliseo Recrejos Rigoletto (Duca di Mantova)

1918    Barcellona T.Bosque Boheme (Rodolfo)

1918    Barcellona T.Bosque Favorita (Fernando)

1918    Barcellona T.Bosque Marina di Arrieta

1918    Barcellona T.Bosque Tosca (Cavaradossi)

1918    Barcellona T.Liceo Amleto di A.Thomas (Laerte)

1919    Barcellona T.Bosque Gioconda (Enzo)

1919    GeronaT.Principal Gioconda (Enzo)

1919    GeronaT.Principal Favorita (Fernando)

1919    GeronaT.Principal Traviata (Alfredo)

1919    GeronaT.Principal Pagliacci (Canio)

1919    Gerona T.Principal Rigoletto (Duca di Mantova)

1919    Roma T.Nazionale Madama Butterfly (Pinkerton)

1923    Genova T.Paganini Pagliacci (Canio)

1923    Torino T.Balbo Pagliacci (Canio)

1924    AstiT.Alfieri Madama Butterfly (Pinkerton)

1924    AstiT.Alfieri Boheme (Rodolfo)

1924    RavennaT.Mariani Madama Butterfly (Pinkerton)

1925    Forlì T.Comunale Madama Butterfly (Pinkerton)

1925    Pola T.Ciscutti Manon Lescaut (De Grieux)

1926    BariT.Petruzzelli Fanciulla del West (Johnson)

1926    BergamoT.Nuovo Pagliacci (Canio)

1926    PaviaT.Fraschini Fanciulla del West (Johnson)

1926    PratoPoliteama Banchini Fanciulla del West (Johnson)

1928    BolognaT.Duse Wally (Hagenbach)

1929    Milano T.Lirico Pagliacci (Canio)

1929    Poggibonsi T.Ravvivati Costanti Loreley (Walter)

1930    Milano T.Lirico Pagliacci (Canio)

1930    Rivarolo Ligure Pagliacci (Canio)

1931    ComoT.Sociale Fanciulla del West (Johnson)

1931    Milano T.Carcano Andrea Chenier (Chenier)

1931    Milano T.Carcano Pagliacci (Canio)

1932    Barcellona T.Liceo Boheme (Rodolfo)

1932    Barcellona T.Liceo Madama Butterfly (Pinkerton)

RECORDING FOR SALE

Gramophone 7- 2-18

Favorita (Donizetti): Spirto gentil 9-252000 19973u